SNU. ASU2. This is where my SNU and ASU2 projects begin to physically bridge. This old work used as objects takes me into the story of Jesus' journey to the cross simply because one of the models is Mary and child. If  Jesus' story is used as an allegorical tale then there is not really so much space between my personal history, the Jesus story or anyone else's story. The cross is the life you carry on your back and it is a lighter or heavier burden dependent on those you meet, the way that you came to that cross, and how long you have felt its weight on your shoulders. 
The models are human forms too, and perhaps that is also pertinent. The need to see outside of oneself to understand that our needs do not stand alone, they do not stand alone, and covid19 is giving us chance to see that, to understand that we as people do not stand alone, and we as a species do not stand alone. I have always baulked at the notion that man holds dominion over this earth that supposedly Adam was given in the garden of Eden, i feel that man has abused that gift. Again covid19 is letting us know that man does not have dominion. 
In older paintings of the crucifixion there is often a skull placed at the base of the cross, this is Adams skull and represents the banishment of Adam and Eve from the garden of Eden. Jesus' death is meant to assuage the sins of the fathers and thereby allow passage back to the garden of Eden. Is there something we can learn from this whether we are christian or not (i am not). I'd add in here too the suffering of the two women left to grieve, his mother and his companion, their suffering should not be brushed aside. Their grief. Their pain. I wonder if the dead also suffer after death or if it is only the living, i guess i won't know till i die myself.
But here, the point where the SNU and ASU2 meet is with these models, the originals slightly bigger and the 3d models with scaffolding and base left intact. The hold between the two projects and perhaps any two living entities is understanding and compassion. 

SNU. Objects. 3d Printing. Sampling. 

SNU. Working with photographs was becoming a little intense. Feelings i had not anticipated had surfaced, and feelings i had thought i would be working with were turning out to be more raw and open than i'd expected. In truth i'd hoped the exercise would be a walk in the park, a sunny day in the garden, a trip along a country road, it began in that spirit but had taken me into dark places. 
I decided to side step into working with objects in the 3d workshops. I had four metal origami flowers that had been poured at the beginning of the term that were sample pieces, they were me trying recall how to make paper pieces for burn out, and how the different metals offered in the workshops worked  and handled, with a mind to needing this knowledge for my masters project in term three. The feathers i'd spent a morning putting on cups with sprue and risers had not been successful but these were good enough to use as learning props. 
I also wanted to find a way to make a copy of a tube of lino printing ink that had come out of my granny's art studio bag when she died. The graphics were cool so i didn't want to burn it out or ruin it with plaster or silicon so i asked Steve the technician if it could be printed on the 3d printer. I had asked the term before if  a couple of wire horses might be reproduced on this machine but they were too small and slight so i also had a yen to know what could and couldn't be 3d printed, again with a view to holding this knowledge for my masters project work should i need it. 
Steve took the paint tube, photographed it and put the photographs into the computer, confirmed that it was viable and so it was printed. Success. And following that success i took in a ceramic bull that had been part of my childhood, an ornament that belonged to the same period as the CMYK screen prints. All the time when working my mind is making these connections, seemingly unrelated things have lines drawn between them that outsiders can't see. The lines are live wires. They burn. The burn intensity depending on the level of attention given or the strength of the connection. The bull was photographed and processed by Steve as before. One of the interesting things about the 3d printer is that it doesn't just replicate, it is a modelling tool in itself and also things being replicated can be sized up and down. The plastic comes in various colours but the paint tube and bull by chance were printed in red.