So, I seem to be on a blogging roll, or maybe i just need to get words out of me. I don't know if the words are of worth or not but sometimes just laying them out on a page allows my thoughts to fall into place, or, if not exactly into place, like in "52 card pick up" the act of flicking them out into space at least means they have a moment to fly.
I've been overthinking, thinking and thinking and thinking, and sometimes that gets a thought to where it needs to be, and sometimes it doesn't, and sometimes it gets a thought to where it needs to be but it feels like a long drive without rest-stops and that afterwards the mind is a bit shot and dull. I think maybe that's how i've been feeling.
Sometimes i wonder if that's how i've always been, thinking, my brain always buzzing with ideas but not always good ideas or ideas that come to anything. And, because before i act on one idea the next pops up and then i'm off on that one, and when that one finds itself at a dead end or somewhere i don't want to be i have to back up and try to find my way back to where i was, or where i wanted to have been, or where it was that the idea or notion went off course or germinated but return is never quite return because the light is different, or the nose, or gathering.
Today I took a day off thinking. Or rather i stopped trying to nudge or direct my thoughts and let them go where they will. I mean i do that, but i guess, of late, they have been focused on Jon, and then intentionally focused on something else so i don't think about Jon all the time, and then also sometimes other stuff will come up and that will take up my attention, but that gorgeous free flowing space that feels like flight hasn't really happened much of late. There was insane just after Jon died, and now maybe to counterbalance i find myself steering towards sensible reality, sensible is good, it is steady and functional, but where i like to be really is somewhere in between, arms held out wide to help me keep my balance and my feet carefully treading the centre line.
One of the things with having been so nuts after Jon died is that then it's hard to gauge how sane you are later. Often people who seem super-sane on the outside can feel un-nerving, a bit Stepford, sort of borderline psychotic in there normalcy. I mean who is normal, what is normal, normal is not the same thing for different people. And normal in the uk seems to depend upon fairly fixed circumstances, like running water, supermarkets, electricity etc take those away and most of us would be stripped back to an inner being which may be decidedly less cute unclothed.
Yesterday morning i heard a folk singer, apologies i forget her name, being interviewed on radio 4. She spoke about touring with her family; with her parents, who were folk legends, and i think her brother; and how families have a way of relating that is absolutely normal to them, or perhaps more likely to which they are accustomed, but once you've been stuck on a tour bus for 6 months you forget how to relate to the real world and don't know how to talk to people.
We've probably all been there, in other people's families observing, uncomfortable, working things out, this is their normal but maybe not yours and likely our own family is met similarly by outsiders. Worlds collide. Each one of us is living in our own little world that revolves around us and our way of being, doing, thinking. How we are, who we are may or may not feel absolutely right, or maybe it feels ok but there is some yearning that draws our focus away from our family. Another lover, or an alternative lifestyle that looks more exciting or less exciting than our own, something which seduces our senses away from the everyday get-on-with-it functional reality that is the lot of the living.
This gets me back to reality, which is one of the things i wanted to blog about, because despite my decision not to think, thinking happens. Well, reality, and time, and i guess normal too are all elements that have strange edges. On the surface they can seem quite fixed, but look closer, begin to explore time, reality or normal, and it becomes obvious that these apparent boundaries can bend and stretch, become tight and constricted or counterwise open and extended. They are not definites except by consensus. And consensus is also not definite because a shift in the make up of the those who create the consensus can change the consensus.
I was thinking when i went for my walk on Jon's birthday how small a life is, how brief a life is on the grand scale that is time, how what seems of such great consequence is not really anything. Life feels easier when i feel small and insignificant. And yet on another level i was thinking yesterday as i was walking home from the art school library how being seen is also important. I think maybe the desire to be seen varies from person to person but that being totally unseen unless you have chosen that course is uncomfortable. I often think that if i could have a super-power being invisible would be a good super-power, but would it ? Would it actually be quite lonely ? And in many ways are all of us going about our day to day mostly as nobodies to the people we meet, therefore more or less unseen. Unseen except by those who love or care for us.
I've been blue-sy this week. This that and the other, stuff causing me sadness and anxiety, and feeling odd after visiting Bungay too, lonely maybe, or just unseen, un-met. Jon met something in me that i had not had met before, i guess it was something he reflected back at me that i didn't know existed until i knew him, and i miss the way he did that. And by the same token i also feel a bit frustrated that he has eaten the past six months of my life up, that sounds odd, i think i'm frustrated with myself for still loving him maybe for not picking myself up and getting on with things, for not moving on, for being slow and not brisk, but also frustrated with myself for losing the something that was special between us, like missing the beat in a dance class and then always being a step behind and unable to find my grace. I've always been terrible at counting. And choreographed lines. Terrible ? Well slow to pick up choreography and often off count. Maybe Jon was very good at leading the dance and so falling in to his rhythm gave me a false sense of my abilities.
And then later on yesterday i was thinking about time again. Thinking about jumping back in time to when Jon and i were good. And to just before he died when i had finished a busy summer and was feeling like i was waiting at the crossroads for something to happen something to guide my way, my "if" time. In hindsight I wonder if i was waiting. Waiting for Jon, not knowingly but deep inside, it is odd that two people noticed my hand oddly shaking in the week or so preceding his death, in fact the second time was the morning of the day he died. The shaking stopped after his death. Did i already say that in a previous blog ? Sometimes things happen and in hindsight they feel like they were more prescient than was realised at the time.
What if all those moments are all still happening, are still ongoing, all of them, as if they are one moment, even the moments that contradict. So there is Jon alive and well and showing me the flowers in his garden, or smiling and catching me in his arms as i walk through the door of his house, and offering me a cup of tea, eyes light and kind, or maybe i'm in a time before we knew each other, as a young mum, or way back in my childhood, playing in the sandpit, or learning to ride my bicycle, or picking blackberries and then i'm picking blackberries with Jon and making blackberry and apple jam, or crumble, or later after he'd left picking blackberries to dye cloth with. and all those times are one and the same because time is very long and a lifetime is very short so why make so much of it.
And what if there are other realities. It's a balancing act living between alternative realities. There is the concrete reality which it is helpful to hold on to, concrete reality is accessed through the senses, i see, i hear, i smell, i feel by touch, i feel bodily, i taste. And then there is less concrete reality that allows us to know that what happened before was once real and tho' it now exists as a back space on a linear scale it is still accessible in the now and still has some ties to concrete reality because the memories are often founded in sensual and/or emotional experience. And there is the future which is unknown but made real in dreams and projected hopes or fears. Death is a bit of a gate crasher into that party because death steals the dead from the future, their place in the future no longer exists, they may be there but as an ethereal being which is all very nice but not the same as an arm around you or whatever, it easy in grief to wander the path of "if", it's quite a labyrinth, but it's a step out of concrete time, space, reality, it's a sweet, and sometimes a resting sanctuary for a sore heart/mind/body, but it is no way to live. A wraith's existence.
In life there's a fair whack of "suck it up" it doesn't come to everyone in equal measures. We meet ourselves in moments of great joy and great disappointment. In winning and losing. We find the company that keeps us going, we find the company that takes us down, we learn who to trust, who to not trust, who cares, who doesn't. Suck-it-up situations ask us to pick ourselves up, sometimes a helping hand, or guiding hand, makes all the difference. Alone we are vulnerable. We are vulnerable alone in triumph or defeat, and knowing ourselves to be part of one big body system allows us to play a socially co-operative part in the construct that is life. Life is bigger than us. Life is not birth to death it is birth and death, before and after, and all that is.
I suppose that reality and time both feel quite infinite to me. How can infinite be quite infinite ? I mean infinite is infinite the quite defines the level to which i feel able to take them without totally losing the plot and finding my feet have lost the ground and that i am floating into outer space with only my imagination for company.
Normal is maybe infinite too but perhaps normal goes inward, or maybe that's just how it feels to me, that normal reins in the imagination demands physical definition, that physicality is cellular, or particle, interaction and as the cells/particles become smaller the inside of infinite becomes apparent. Normal is sweet and comfortable, it sits in habit, but too much sweet and comfortable, too much habit, makes both mind and body flabby and slow. Too much normal can lead to sense of confinement which i guess varies according to how much the normal you are living suits/fits you. So again it's about finding a balance.
And those balances are ongoing. All the balances are ongoing. The shifts and changes that happen to a lesser or greater extent have to be taken in and assimilated, or allowed to pass, understanding comes with time and practice, it doesn't stay the same because new layers, new stories, new narratives , new understanding supersedes the old.
Sometimes i wonder what life is all about. I think what the hell am i here for ? Much of life hurts. And then i think that life just is. That life is about life. That life is life. That it is all ongoing. And that whilst some hurts some too is pure light and brilliant and beautiful and that if the hurt is the sacrifice i make for the bliss it is a bargain well made.
I think that lives come together sometimes momentarily and sometimes for longer. That we are made up of scraps of moments, that life is those scraps of moments, each life a scrap of moment. I think maybe that life in the short term is perhaps about what we do, but maybe more importantly that it is how we do it, how lives touch each other, that what we leave when our bodies part this world is the impression we left, the way we marked our journey through life, the presence we left.
I wonder if the present is infinite and if maybe our presence too if infinite, if our presence is the air we breathe, in, out, the air we share. I think maybe air is life.
I always struggle to know how to close my blogs. I guess if my blog was just a journal i'd stop wherever and it would make no odds. But because i put them out it means other people may read them and i want to finish them better than i do. It is something i need to learn. How to stop. In the mean time i will have to end with my threads still trailing. Maybe it is not until all those threads are caught up or cut that the end is finally met.
Sunday, 13 May 2018
Wednesday, 9 May 2018
Yesterday, May 8th, was Jon's birthday. He would have been 51. I emailed him in the morning. There is no point in emailing him, no-one receives those emails but it's a slight connection to the man i loved, as a lover and then later as a devoted friend.
The sun was shining and i had decided over the weekend to mark his birth date by treading some of the paths we used to tread together, reflecting and negotiating with the ongoing sadness that is mine since his death. Negotiating with death is an odd conversation. Someone dies, their material form no longer exists except perhaps in their possessions or objects connected to them whilst they were alive or places where memories were made.
The memories count for most i think. It seems that i was able to scourge many of my bitter memories of Jon before visiting Gozo. While there i was able to reconnect to the life we had that was beautiful, the beautiful in him, in me and in us. That was a holy relief and since returning has been a source of spiritual uplift.
There's regret in me that he isn't able to hear the glorious birdsong that this May has offered but it is met by memories of listening to birdsong in his arms, in my home and his and in various holiday cottage bedrooms. And the same as i walk in sunshine, on streets or green pathways, i know that once upon a time he was beside me, holding my hand, looking at the flowers and the butterflies and other bugs, enjoying life.
I cannot change his physical absence, it is what it is. His death has in some ways allowed me to recall him with all the love i felt for him in our first few years when it felt like the honeymoon would never end. When you break up from a lover it is best not to give too much time to those memories because it makes the loss of the loved one harder to accept. In death it is different, the lines of conflict no longer exist, i no longer need to protect myself from further hurt and now he is dead the demons that took hold of our relationship have retreated and no longer threaten my wellbeing in quite the same way.
For his birthday I took my usual bus. I walked past his house, his home, the home we shared for six years and took the path up the hill to the field that he took me to the first night that i slept over at his. I'll admit to a few tears. I loved him. I wish, of course, that he was still alive even with the pain his living being hung around my neck. But there it is he isn't and that's life. Death is going to hit us all sometime. And even if we'd lived happily ever after for forty years one or other of us would have had to go first most likely.
I walked over the field to the road that leads to where the black dog still lives, old and slow and more portly now, still barking but not so game to greet or harass. Then took the short path that connects the road to the wide concrete strips that i assume are ancient war relic aerodrome tracks. There were buzzards flying in the bright-bright blue sky, and skylarks, and i stopped to watch a female orange tip on the short purple flower that Jon and i always forgot the name of and looked up in books after our walks. A bugloss maybe, i don't know i haven't looked it up. The sun was hot, the shadows sharp. I thought what is the point of marking the birthday of someone who is dead. I mean they are dead so they no longer have a birthday, who knows, if they have been reborn they may even already have a new birthday. But still a birthday is a calendared mark, maybe Jon's is more important to his blood family who generally took it on with a gathering from which i was excluded after the first year.
After a while of walking i got to the tree that was one of our walk markers and sat and smoked a roll-up, and ate an apple, and thought about the fella, and the life we had together, and was thankful for the time i knew him even tho' it was not long. Then back past his house again, to my bus stop, enjoying the apple blossom and the ducklings and the horse in the paddock that let me stroke it's nose and forehead. All very soothing. Of course it's still sorrowful. I'm mourning. But my mourning has softened lately. I have a feeling that i will always miss the sweetness of him, but since Gozo that has returned to me as days and days and days of memories and nights of memories too it feels a bit as if he is with me anyway. Not in a creepy way, just as a kind of benign spirit holding me upright when i am finding life difficult, lonesome or sad.
So there it goes. Jon's birthday and i hope it won't seem too silly that i marked the day or that i've blogged it but as my blog is kind of my journal it seems to make sense because Jon was important to me, he was important just because he existed and i loved him, and in all truth he remains important because he existed and i loved him, his death hasn't changed that. I think love transcends death. It does not cease but changes to accommodate the new circumstance.
The sun was shining and i had decided over the weekend to mark his birth date by treading some of the paths we used to tread together, reflecting and negotiating with the ongoing sadness that is mine since his death. Negotiating with death is an odd conversation. Someone dies, their material form no longer exists except perhaps in their possessions or objects connected to them whilst they were alive or places where memories were made.
The memories count for most i think. It seems that i was able to scourge many of my bitter memories of Jon before visiting Gozo. While there i was able to reconnect to the life we had that was beautiful, the beautiful in him, in me and in us. That was a holy relief and since returning has been a source of spiritual uplift.
There's regret in me that he isn't able to hear the glorious birdsong that this May has offered but it is met by memories of listening to birdsong in his arms, in my home and his and in various holiday cottage bedrooms. And the same as i walk in sunshine, on streets or green pathways, i know that once upon a time he was beside me, holding my hand, looking at the flowers and the butterflies and other bugs, enjoying life.
I cannot change his physical absence, it is what it is. His death has in some ways allowed me to recall him with all the love i felt for him in our first few years when it felt like the honeymoon would never end. When you break up from a lover it is best not to give too much time to those memories because it makes the loss of the loved one harder to accept. In death it is different, the lines of conflict no longer exist, i no longer need to protect myself from further hurt and now he is dead the demons that took hold of our relationship have retreated and no longer threaten my wellbeing in quite the same way.
For his birthday I took my usual bus. I walked past his house, his home, the home we shared for six years and took the path up the hill to the field that he took me to the first night that i slept over at his. I'll admit to a few tears. I loved him. I wish, of course, that he was still alive even with the pain his living being hung around my neck. But there it is he isn't and that's life. Death is going to hit us all sometime. And even if we'd lived happily ever after for forty years one or other of us would have had to go first most likely.
I walked over the field to the road that leads to where the black dog still lives, old and slow and more portly now, still barking but not so game to greet or harass. Then took the short path that connects the road to the wide concrete strips that i assume are ancient war relic aerodrome tracks. There were buzzards flying in the bright-bright blue sky, and skylarks, and i stopped to watch a female orange tip on the short purple flower that Jon and i always forgot the name of and looked up in books after our walks. A bugloss maybe, i don't know i haven't looked it up. The sun was hot, the shadows sharp. I thought what is the point of marking the birthday of someone who is dead. I mean they are dead so they no longer have a birthday, who knows, if they have been reborn they may even already have a new birthday. But still a birthday is a calendared mark, maybe Jon's is more important to his blood family who generally took it on with a gathering from which i was excluded after the first year.
After a while of walking i got to the tree that was one of our walk markers and sat and smoked a roll-up, and ate an apple, and thought about the fella, and the life we had together, and was thankful for the time i knew him even tho' it was not long. Then back past his house again, to my bus stop, enjoying the apple blossom and the ducklings and the horse in the paddock that let me stroke it's nose and forehead. All very soothing. Of course it's still sorrowful. I'm mourning. But my mourning has softened lately. I have a feeling that i will always miss the sweetness of him, but since Gozo that has returned to me as days and days and days of memories and nights of memories too it feels a bit as if he is with me anyway. Not in a creepy way, just as a kind of benign spirit holding me upright when i am finding life difficult, lonesome or sad.
So there it goes. Jon's birthday and i hope it won't seem too silly that i marked the day or that i've blogged it but as my blog is kind of my journal it seems to make sense because Jon was important to me, he was important just because he existed and i loved him, and in all truth he remains important because he existed and i loved him, his death hasn't changed that. I think love transcends death. It does not cease but changes to accommodate the new circumstance.
Tuesday, 1 May 2018
More dreams. A dream about whales and water, and a dream about being late for a maths exam and an adopted baby. My unconscious is clearly asserting itself. In the first dream i was looking out to sea over a cold harbour wall, somewhere close to the arctic circle, in the distance a head popped up, a seal, all eyes and whiskers, then, closer to, a young orca came into the harbour and was swimming, playing, suddenly a great tail emerges and I am nearly caught in it's down thrust as a sperm whale rises up into the air and then plummets back into the water and swims back out to the ocean beyond. A hunter, a man, wants to kill the whale, he kills the orca and hides in it's skin with a gun waiting to kill the bigger whale, he craves the meat of the whale. I only want ice-cream, but the ices the vendor sells are strange, just blocks of flavoured ice with things floating in the ice. I settle for one with pecans in it. Lord only knows what this dream means.
And then later in the night, after a dream i remember having but of which i can recall no details, i am in another dream, at school as a teenager/young person, i have an exam to sit but i go home first and my neighbours have just adopted a baby just born, we are thinking about the baby and i am late for my exam. Again the meaning is unclear.
Dreams are a visual pleasure, a living cinema. I have been thinking much about fairy tales since the beginning of the year. A personal project that has allowed me to focus on something other than Jon's death. Before studying my long held desire was to illustrate fairy tales which are a passion of mine. And after Jon's death i had an image of a book in my head, my head was so lodged in the wilderness at that time i do not know if the image came to me when i was awake or asleep but it has stuck. Recently my calling has been to return to the realm of faerie to take that journey and to see where it leads. My frustration is that i am fairly awful at drawing, that the pictures i have in my head when i try to put them to paper come out weak and loose.
I know that this is often how things start, that first steps can be discouraging and it is at this point that I am wont to give up, to go back to safer territory, places that i know, where i feel more secure. But what is security if it holds me back from where/who i want to be ? A tether. A prison. A known. But is the known really more fixed than the unknown ? And stepping into the unknown creates a chance to know more. And what, if not knowing more, am i here for ?
So here it is. If, over the next few months i post lame scribbles as i try to illustrate the fairy tales i grew up with and have collected for the whole of my life, please be kind, please know that i am trying, please know that if my footsteps meander, are tentative, or leave negative imprint they are no more than any other "hero/heroine" stepping out from their safe space.
Since January I have read and researched and doodled work on The Three Billy Goats Gruff, Aladdin's Lamp, Ali Baba and the Forty Theives, The Little Mermaid, and Beauty and the Beast. There are five because for February i accidentally wrote down Aladdin and the Forty Theives which meant i had two stories in that month.
Today I begin with Puss in Boots. Thus far my exploration into these stories has been both art play and meditative. The meditations are paths into the deep that afford me access to my own relationship to the characters, the places, the happenings. By building a relationship with the tale within i am finding out how i meet the beast in me, or the beauty, what i am feeling when i sell my voice to the sea witch in return for legs and the chance to love and be loved by the prince I have given my heart to, I have met with the clever slave-girl who saves Ali Baba, and the princess in Aladdin who also by using her wit saves both herself and Aladdin, and considered the troll and the goats in The Billy Goats Gruff, and the bridge that parts the goats from the field of their dreams.
Having just spent two months with fairy tales in which the main protagonist is female it will be interesting to take to the road with a male character and his side kick. Is the side kick the male character or is it the cat ? After a day spent yesterday with my good friend, artist and illustrator Janet Cranness, looking at her work I am setting out on this month's story filled with inspiration and ideas about how to make work that is more finished. I don't know if i will accomplish that but i will try, and i will keep trying because trying is one step forward and one step forward leads to the next step forward and who knows where those steps will lead.
And then later in the night, after a dream i remember having but of which i can recall no details, i am in another dream, at school as a teenager/young person, i have an exam to sit but i go home first and my neighbours have just adopted a baby just born, we are thinking about the baby and i am late for my exam. Again the meaning is unclear.
Dreams are a visual pleasure, a living cinema. I have been thinking much about fairy tales since the beginning of the year. A personal project that has allowed me to focus on something other than Jon's death. Before studying my long held desire was to illustrate fairy tales which are a passion of mine. And after Jon's death i had an image of a book in my head, my head was so lodged in the wilderness at that time i do not know if the image came to me when i was awake or asleep but it has stuck. Recently my calling has been to return to the realm of faerie to take that journey and to see where it leads. My frustration is that i am fairly awful at drawing, that the pictures i have in my head when i try to put them to paper come out weak and loose.
I know that this is often how things start, that first steps can be discouraging and it is at this point that I am wont to give up, to go back to safer territory, places that i know, where i feel more secure. But what is security if it holds me back from where/who i want to be ? A tether. A prison. A known. But is the known really more fixed than the unknown ? And stepping into the unknown creates a chance to know more. And what, if not knowing more, am i here for ?
So here it is. If, over the next few months i post lame scribbles as i try to illustrate the fairy tales i grew up with and have collected for the whole of my life, please be kind, please know that i am trying, please know that if my footsteps meander, are tentative, or leave negative imprint they are no more than any other "hero/heroine" stepping out from their safe space.
Since January I have read and researched and doodled work on The Three Billy Goats Gruff, Aladdin's Lamp, Ali Baba and the Forty Theives, The Little Mermaid, and Beauty and the Beast. There are five because for February i accidentally wrote down Aladdin and the Forty Theives which meant i had two stories in that month.
Today I begin with Puss in Boots. Thus far my exploration into these stories has been both art play and meditative. The meditations are paths into the deep that afford me access to my own relationship to the characters, the places, the happenings. By building a relationship with the tale within i am finding out how i meet the beast in me, or the beauty, what i am feeling when i sell my voice to the sea witch in return for legs and the chance to love and be loved by the prince I have given my heart to, I have met with the clever slave-girl who saves Ali Baba, and the princess in Aladdin who also by using her wit saves both herself and Aladdin, and considered the troll and the goats in The Billy Goats Gruff, and the bridge that parts the goats from the field of their dreams.
Having just spent two months with fairy tales in which the main protagonist is female it will be interesting to take to the road with a male character and his side kick. Is the side kick the male character or is it the cat ? After a day spent yesterday with my good friend, artist and illustrator Janet Cranness, looking at her work I am setting out on this month's story filled with inspiration and ideas about how to make work that is more finished. I don't know if i will accomplish that but i will try, and i will keep trying because trying is one step forward and one step forward leads to the next step forward and who knows where those steps will lead.
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